Interview 

How do you design ceramics to enhance the tea-drinking experience? How do texture and form relate to the sensory aspects of tea rituals?

My teaware is rooted in tradition but always infused with my own vision. I aim to create pieces that are functional yet imaginative, sometimes introducing new ideas to enhance tea rituals.
The tactile qualities of teaware are crucial. For instance, I spend hours contemplating the ideal shape and weight of a teacup or tea bowl, though once I begin making, I let intuition take over.
I work with the finest porcelain from New Zealand, which enhances the taste of tea. My tea bowls are crafted with generosity of spirit, creating an illusion of a larger interior—a reflection of tea’s ability to connect us to something bigger. I often think of the Taoist recluse, retreating into the mountains and savouring tea as a way to reconnect with nature and self. 

Does your process of making ceramics mirror the meditative and grounding nature of tea?

Absolutely. The process of tea-making for me is slow and deliberate—boiling water in a cast-iron kettle, often after a grounding walk. Similarly, in the studio, I work in a meditative state, moving in slow motion to maintain clarity and focus.

This philosophy learned through tea, is deeply embedded in my ceramic practice. Taking time allows me to tune in to the process, resulting in pieces that feel both intentional and alive.

How does the choice of a ceramic vessel transform the experience of drinking tea? What emotions or sensations do you hope your pieces evoke?

The choice of a vessel greatly influences the tea experience. I put immense thought into the shape, weight, and feel of each piece, ensuring it harmonizes with the tea-drinking ritual.
I imagine the tactile joy of holding a tea bowl that feels balanced and inviting. My aim is for the user to feel connected—to the tea, to nature, and to themselves. I want my pieces to evoke a sense of peace and nostalgia, much like a Taoist savouring tea in solitude.

How has your relationship with tea evolved, and how does it inform your artistic practice?

Over the years, tea has become a constant companion, though I often drink alone unless in the company of true tea enthusiasts. My practice has evolved to focus on smaller, more intimate teaware, though I also create large-scale works like moon jars and palace vases. Functionality and artistic expression must coexist in my teaware.The energy of a piece must feel right, and only then will I offer it for sale. For every ten tea bowls I make, only one or two meet the standard for chanoyu, while the rest are sold more casually.